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Fact Sheet (PDF) Media Relations Contacts. Logan Lucky could be the comedic flip side of last year's sublime Hell or High Water, another tale of hard-luck brothers in crime. This one concerns. Hello, Logan. I have been expecting you. HUGH JACKMAN. Yes, hello, uh you. I am the puppetmaster behind this gory tableau. The architect of your pain. For it was my father who first put adamantium in your bones! And it was my mad genius that wiped out all the mutants so that I could clone more mutants of my own! Red Script John Logan.pdf Free Download Here by John Logan Directed by Steven Woolf. Granted Red Steel, but even the game isn. A new play from Academy Award and Tony Award-winning screenwriter and playwright John Logan.

Logan
Directed by	James Mangold
Produced by	Hutch Parker
Screenplay by
Story by	James Mangold
Based on	Wolverine by
Starring
Music by	Marco Beltrami
Cinematography	John Mathieson
Edited by
Production companies	Hutch Parker Productions
Distributed by	20th Century Fox
February 17, 2017 (Berlin) March 3, 2017 (United States)
137 minutes[1]
Country	United States
Language	English
Budget	$97–127 million[2][3]
Box office	$619 million[2]

Logan is a 2017 American superhero film starring Hugh Jackman as the X-Men character Wolverine. It is the tenth installment in the X-Men film series, as well as the final installment in the Wolverine trilogy, after X-Men Origins: Wolverine (2009) and The Wolverine (2013). The film, which takes inspiration from 'Old Man Logan' by Mark Millar and Steve McNiven, based in an alternate bleak future, follows an alternate universe in which an aged Wolverine and an extremely ill Charles Xavier defend a young mutant named Laura from the villainous Reavers and Alkali-Transigen led by Donald Pierce and Zander Rice, respectively.^[4][5][6] The film is produced by Marvel Entertainment, TSG Entertainment and The Donners' Company, and distributed by 20th Century Fox.^[7][8] It is directed by James Mangold, who co-wrote the screenplay with Michael Green and Scott Frank, from a story by Mangold.^[9] In addition to Jackman, the film also stars Patrick Stewart, Richard E. Grant, Boyd Holbrook, Stephen Merchant, and Dafne Keen.^[10][11][12]

Principal photography began in Louisiana on May 2, 2016, and ended on August 19, 2016, in New Mexico.^[13][14][15] The locations used for Logan were mainly in Louisiana, New Mexico, and Mississippi.^[16][17][18] Jackman makes his final appearance as Wolverine in the film, having portrayed the character in all of the films in the X-Men franchise up to that point.

Logan premiered at the 67th Berlin International Film Festival on February 17, 2017, and was theatrically released in the United States on March 3, 2017, in IMAX and standard formats. Critics praised the film for its screenplay, acting (particularly by Jackman, Stewart and Keen), direction, emotional depth, and departure from traditional superhero films.^[19] It became one of the best reviewed films in the X-Men series, with many critics regarding it as one of the greatest superhero films of all-time,^[20] and it was chosen by the National Board of Review as one of the top ten films of 2017.^[21] It was nominated for Best Adapted Screenplay at the 90th Academy Awards, becoming the first live-action superhero film ever to be nominated for screenwriting.^[22][23] It grossed over $619 million worldwide, and is the fifth-highest-grossing R-rated film ever, behind Deadpool, The Matrix Reloaded, Deadpool 2, and It.

• 3Production
• 5Release
• 6Reception
  • 6.1Box office

Plot[edit]

In a dystopian 2029, no mutants have been born in 25 years. An aging Logan's healing ability has weakened, and his skeleton’s adamantium coating has begun to poison his body. Working as a limo driver in El Paso, Texas, he and mutant tracker Caliban care for 97-year-old Charles Xavier, Logan's mentor and founder of the X-Men, in an abandoned smelting plant in northern Mexico. Xavier has developed dementia that causes him to have seizures; it is alluded that one year prior, a seizure released a destructive wave of his telepathic powers that killed seven mutants, leaving the three as the last of the X-Men.

Logan reluctantly agrees to escort Gabriela Lopez, a former nurse for biotechnology corporation Alkali-Transigen, and a young girl, Laura, to Eden, a refuge in North Dakota. Later finding Gabriela dead, Logan is confronted at his Mexican hideout by her killer Donald Pierce, Transigen's cyborg chief of security looking for Laura, who has stowed away in Logan's limo and has similar powers. She, Logan, and Xavier escape Pierce and his Reavers, but Caliban is tortured into tracking Laura.

A video on Gabriela's cellphone shows that Transigen created Laura and other children from mutant DNA to become weapons; Laura was created from Logan's DNA. As they proved difficult to control and Transigen found an alternative, the children were to be killed, but Gabriela and other nurses helped some escape. In Oklahoma City, Logan discovers that Eden appears in Laura’s X-Men comic and tells her it is fictional. The Reavers arrive, but Xavier has a seizure and incapacitates everyone except Logan and Laura, who kill the attackers and inject Xavier with his medication. As they flee, Dr. Zander Rice, head of Transigen, arrives to help Pierce.

Logan, Laura, and Xavier help farmer Will Munson and his family after a traffic incident, accepting an offer of dinner at their home, where Logan drives off enforcers from a corporate farm. Rice unleashes X-24, a clone of Logan in his prime and his alternative to the child program, who murders Will's family and Xavier, stabbing Will and capturing Laura. Caliban sets off grenades, killing himself and several Reavers while injuring Pierce. Logan fights X-24 but is outmatched, and Will pins X-24 with his truck before dying from his injuries. Logan and Laura escape with Xavier's body.

After burying Xavier, Logan passes out. Laura takes him to a doctor and persuades him to prove the site in North Dakota is not Eden. There, they find Rictor and other Transigen children preparing to cross into Canada. Laura finds an adamantium bullet Logan has kept since his escape from the Weapon X facility, which he once considered using to commit suicide. Logan decides his job is done and chooses not to accompany them, to Laura's dismay.

When the Reavers capture the children, Logan takes an overdose of a serum given to him by Rictor that temporarily enhances his healing abilities and boosts his strength. With Laura's help, he slaughters most of the Reavers, but the serum wears off. As Pierce holds Rictor at gunpoint, Rice tells Logan, who killed Rice's father years ago at the Weapon X facility, that no new mutants have been born due to a virus created by Transigen and distributed through the world's food supply, also causing the decay of Logan's healing factor. Logan, having found a pistol, shoots Rice and injures Pierce. X-24, enraged by Rice's death, fights Logan, as the children combine their powers to kill Pierce and the remaining Reavers. Rictor uses his powers to flip a truck onto X-24, but he frees himself and impales Logan on a large tree branch. Laura uses Logan’s pistol and adamantium bullet to shoot X-24 in the head.

Near death, Logan tells Laura not to become the weapon she was made to be, and after she tearfully acknowledges him as her father, he dies peacefully in her arms. Laura and the children bury Logan, and Laura turns his grave marker on its side to create an X, honoring him as the last of the X-Men, before she and the children depart for the Canadian border.

Cast[edit]

• Hugh Jackman as Logan / Wolverine:

The X-Man formerly known as the Wolverine and a physically enhanced mutant with accelerated healing, dealing with his age and ailment as well as Charles Xavier's former pupil, and Laura's presumed father.^[24][25] He is one of Charles Xavier's caregivers, alongside Caliban.^[26] Mangold spoke of Logan's age influencing his regenerative capabilities, which he stated may no longer produce soft skin, 'so we imagined he heals quickly, still, but it leaves a scar. The simple idea was that his body would start to get a little more ravaged with a kind of tattooing of past battles, lacerations that remain of previous conflicts.'^[27][28] On the second page of the screenplay, Mangold spoke of Logan as '.. he's older now and it's clear his abilities aren't what they once were. He's fading on the inside and his diminished healing factor keeps him in a constant state of chronic pain—hence booze as a painkiller.'^[29][30] In 2015, Jackman requested fan input for the direction Wolverine's story should go in the next film, while seeming to confirm that the project would serve as his farewell to Logan.^[31] To prepare for his role, Jackman ate a minimum of six meals per day, when working with trainer Mike Ryan.^[32] Ryan stated that an average workout session for Jackman lasts up to three hours, beginning at 4:00 a.m.^[33] Jackman stated, '.. it's going to be very different. Very different in tone and hopefully different to anything we've done.'^[34] Regarding the more personal tone Jackman noted 'That's always been really his dilemma, coming to terms with who he is'.^[35] Jackman has also explained that comedian Jerry Seinfeld was indirectly responsible for his decision to stop playing Logan after 17 years, with Jackman stating, 'I was having a chat with [Seinfeld] about a year ago .. he was talking about why he finished Seinfeld .. He said he'd always had this feeling and belief that you never know when either your energy or the audience's energy is going to dip over into people [saying] 'Oh, please go.'^[36] Jackman accepted a pay reduction to ensure that the film would be produced to receive an R-rating.^[37]

• Jackman also plays X-24, a feral younger clone of Wolverine, loyal only to his creator Zander Rice.

• Patrick Stewart as Charles Xavier:

A mutant who is the world's most powerful telepath who is also founder and former leader of the now-defunct X-Men. He was formerly known as Professor X.^[38][39] Charles's telepathic abilities have become unstable due to age (over 90 years) and an unknown brain disease, and at times he does not even recognize Logan.^[26] During the events of Logan, Xavier is cared for by Logan and Caliban.^[40] Regarding Xavier and the themes of aging and loneliness, Mangold said,^[41] 'We've seen these characters in action, saving the universe. But what happens when you're in retirement and that career is over? ..^[42] The really interesting thing to me, or a place to dig that hadn't been dug, was the idea of mutants when they're no longer useful to the world, or even sure if they can do what they used to do. Their powers are diminished like all of ours are by age ..^[25] Our Charles is a very sweet character in this film. I think he's always been an incredibly sweet character. With the addition of his own physical fragility in this movie, he becomes an incredibly powerful paternal figure in the movie. Logan is more of a reluctant one, I think you can easily guess.'^[43] Stewart remarked that '.. this is probably the end of this franchise for me. But the thing about science fiction and fantasy is that you can never, ever say it's the end, it's over.'^[44]

• Richard E. Grant as Dr. Zander Rice:

The surgical head of Transigen,^[45] whose father was killed by Logan during his escape from Weapon X Headquarters at Alkali Lake.^[46] On the character of Rice, Mangold stated, 'He's the puppet master behind Pierce and the Reavers, and has a much larger role in the sense that he's actually the kind of brilliant mind that is trying to grow mutants.'^[43]

• Boyd Holbrook as Donald Pierce:

Transigen's relentless, calculating and intense head of security, and leader of the militant Reavers^{[45][43][47][48]} who is sent to retrieve Laura, which brings him into conflict with Wolverine. Holbrook said of the character, 'He's an innovative engineer and he's a big fan of Wolverine. He just wants to hang out with him .. There's a lot of surprising stuff in it.'^[49] Mangold praised Holbrook's performance, saying that '[he] is just a fabulous actor. I wanted this film to feel intimate and real and truthfully acted, and I wanted very much to break away from the kind of bloated feeling I've gotten from a lot of comic-book movies.'^[43]

• Stephen Merchant as Caliban:

An albino mutant who can sense and track other mutants, who is helping Logan take care of Xavier.^[26] On Merchant taking the role, Mangold mentioned, 'I'm always interested to find the thing that looks most interesting on the actors. Stephen is a huge man. One of the things that is so wonderful filming with him for a character like this is that he's a good six inches taller than Logan, and huge over Patrick. The little kid in the movie would come up to basically his knee. So there's a wonderful sense of scale—but he has heart too.' Mangold concluded by stating, '.. So that was a wonderful energy to enter the movie, and someone who instead of turning things into their own energy kind of joined ours.'^[25] A younger Caliban was previously portrayed by Tómas Lemarquis in X-Men: Apocalypse.^[50]

• Dafne Keen as Laura:

A mysterious young girl, who is 'very much' like Logan as well as Logan's presumed daughter and Charles' presumed granddaughter. She is also subject 'X-23'.^[45][25] On Keen's portrayal of Laura, Mangold mentioned, 'If anyone could steal a movie from [Jackman], it would be Dafne. She carries, all the time, a slight strangeness.'^[51] In an interview with Digital Spy, Mangold stated, '.. [Keen] was 11 years old when we were shooting. She's a remarkable kid. Her parents are actors, and she's kind of a very modern kid. Very physically capable. Incredibly gifted as an actress. I mean, it was a huge risk for Fox to allow me to make a movie where the third point of the triangle was built upon someone so young.' Mangold stated that the worldwide search for an actress to portray Laura was one in which he was seeking 'someone who was bilingual because I wanted a Latina kid—one who was between 10 and 12, and was a credible child.' He later stated of Laura that: 'She's an 11-year-old girl equipped with all the volatility, instability, mood swings, shadows and potential violence of our hero.'^[43] Co-writer Scott Frank pushed for the character to speak as little as possible when he joined the project to avoid making her into a typical kid sidekick, explaining, 'I read a few other drafts of the script that Jim worked on, and in all those drafts she was talking from the beginning and had an attitude. I thought that was a giant mistake.'^[52] Sienna Novikov served as Keen's stunt double.^[53][54]

Additionally, Eriq La Salle, Elise Neal and Elizabeth Rodriguez appear as Will Munson, Kathryn Munson, and Gabriela Lopez.^[55][56][57] Doris Morgado, David Kallaway, Han Soto, Jason Genao, Krzysztof Soszynski, and Alison Fernandez appear as Maria, Danny Rhodes, Valet, Rictor, Mohawk, and Delilah, respectively.^{[58][57][59][60]} In the commentary to X-Men: Apocalypse, director Bryan Singer had stated that his film's post-credits scene would directly connect with the on-screen debut of X-Men antagonist Mister Sinister in Logan.^{[61][62][63][64][65]} In January 2017, Mangold stated that the character would not appear in this film.^[66]

Production[edit]

Development[edit]

—James Mangold, on the development and approach of Logan^[67]

In November 2013, 20th Century Fox initiated discussions over another solo film starring Wolverine, with James Mangold in negotiations to write the treatment for the film and Lauren Shuler Donner returning to produce under The Donners' Company.^{[68][69][70][71]} At the time, Hugh Jackman neither confirmed nor denied his reprisal of Logan in a new film.^[72][73] Jackman clarified that his lapsing contract with Fox, which reportedly would need to be renegotiated after X-Men: Days of Future Past (2014),^[74] did not mean he was leaving the franchise, as he had been working movie-by-movie since X2 (2003).^[75] He also stated, 'I do want to do it with Jim and with [producer] Lauren Shuler-Donner because we had such a great experience. I'm really proud of The Wolverine (2013).'^[76] Later in the month, Mangold announced that the pre-production aspect of the film had not begun as of yet, nor the writing process, though he furthered this by stating, '.. I would say I'm not there yet. But I have taken finger to key. Let's say that. There's been typing. And ideas. And talking amongst all the principles.'^[77]

Shortly after the release of The Wolverine, Mangold spoke of a potential sequel with the aim of not converting it into a 'Will the world survive?' film, while also stressing his need '.. not to make the same picture again.'^[78][79] In December 2013, Jackman spoke of nearing the end of his tenure as the character, while stating that the film was in the very early stages of development.^[80] Jackman also revealed that Mangold and he had begun speaking of potential ideas, adding, '.. Jim Mangold and I were literally on the phone last night talking about ideas but there is no script and no writer yet so it's a way off.'^[81] Mangold would later reveal that Jackman was very involved in developing the story, saying, 'Hugh and I have been friends for almost twenty years now, and he was there every step of the way. For Hugh and I, the first goal was to construct something more intimate. Hugh often brought up The Wrestler and Unforgiven as examples. I used those references as well as others. I pitched to both Hugh and the studio that I had an idea for an extremely bloody, existential Little Miss Sunshine.'^[52]

By March 2014, a decision was made to begin shooting after Bryan Singer's X-Men: Apocalypse (2016), with the tentative plan to shoot the films back-to-back,^[82][83] with producer Hutch Parker stating, '.. the goal will be X-Men: Apocalypse for 2016, which means at the latest [filming begins] in summer 2015, and then the same thing with Wolverine, either before or after, but based on the script.'^[84] Also in March, 20th Century Fox set a release date of March 3, 2017,^[85][86] Mangold boarded the project as director,^[87] Jackman signed on to reprise his role,^[88] and David James Kelly was hired to pen the screenplay.^[89] In April 2014, Jackman spoke about his ambitious feelings for the character of Logan, while mentioning that they can go further than what they achieved in The Wolverine.^[90] Jackman also expressed his feelings of finality with portraying the character of Logan,^[91] while in terms of storyline, he explained that nothing had been decided as of yet.^[92] Jackman concluded by highlighting that the success of the script development would determine whether Jackman would return at all:^[93] 'I haven't signed on. I'm genuinely at that point where unless it's better than the last one I'm not going to do it. I think it has to be better. I can still see where we can improve on the last one. I love the intimacy of that story, I liked the small stuff, I liked that it was a little unexpected.'^[94]

In February 2015, Patrick Stewart spoke of discussions about the third Wolverine film, centering around a team-up between Jackman's Wolverine and himself as Charles Xavier,^[95][96] with Stewart stating to Marc Mohan that '.. we have been talking about a Wolverine movie, which would team Hugh Jackman and myself together .. That would be a very different sort of X-Men from the four movies that I've already done.'^[97][98] By April 2015, Michael Green had taken over screenwriting duties, with Mangold still actively overseeing the script development process.^[99] In September 2015, Jackman spoke of the writers being halfway through the script, and that the story would delve into the relationship between Wolverine and Professor X,^[100] to which he added, 'I think it's a really important relationship but I want to see signs of that quasi-father/son sort of relationship that has not been seen before, and sides of particularly Professor X that have not been seen before.'^[101][102] Jackman spoke of Mangold's plan to start filming the next year, though he expressed uncertainty as to filming locations.^[103] Also in September, Mark Millar, creative consultant for Fox, confirmed that Mangold's film would be a loose adaptation of the Old Man Logan story, something that was hinted at earlier by Jackman.^[104] In October 2016, the title of the film was announced as Logan.^[105][106]

In January 2016, Jackman confirmed that Mangold had a full screenplay, albeit not complete.^[107] The following month, Liev Schreiber expressed interest in returning to portray Victor Creed / Sabretooth, with Jackman himself mentioning Mangold's vision to Schreiber. After the film's release, it was revealed by Jackman that originally the script had the character play a role in the film, but that Sabretooth was excluded from the final screenplay.^{[108][109][110][111][112]} By April 2016, Mangold had chosen Boyd Holbrook to portray the main antagonist of the movie,^{[113][114][115]} the chief of security for a global corporation that is pursuing Wolverine.^[116][117] Also by April, Richard E. Grant was cast as a villainous mad scientist,^[118][119] and Stephen Merchant had also been cast.^{[120][121][122][123][124]} In May, Eriq Lasalle and Elise Neal were cast supporting roles,^[125][126] and Elizabeth Rodriguez entered negotiations for a small but key role.^[127][128] Also in May, producer Simon Kinberg revealed that filming had already begun, and confirmed that the movie would be R-rated; regarding the setting and tonality,^[129] he stated, 'It takes place in the future, and as you and others have reported, it is an R-rated movie. It's violent, it's kind of like a western in its tone. It's just a very cool, different film.'^[130][131]

Filming[edit]

On March 5, 2015, James Mangold anticipated that filming would begin 'early next year.'^[132][133] Prior to filming, the film was given the false title of Juarez to lower the visibility of production, but the local media eventually uncovered the ruse.^{[134][135][136][137]} On March 1, 2016, The Times-Picayune had confirmed that Mangold's film is preparing to shoot in New Orleans, Louisiana, with a starting schedule of May.^[138] Producers Kinberg, Shuler Donner and Parker chose to film in Louisiana because of its popularity in film making locations,^[139] as well as its filming incentive, which includes a 40% tax credit for movie productions, though it requires a minimum expenditure of USD300,000.^[140]Principal photography was confirmed to have begun in New Orleans, with an original shooting schedule occurring from April 25 to August 13, 2016,^{[139][141][142]} albeit shooting was altered to start on May 2, 2016.^[143]

On May 23, 2016, filming took place at the NASA Michoud Plant in New Orleans East,^[144] with Jackman being spotted, not far from Slidell, shooting a fight scene outdoors on the property.^[145] On May 26, 2016, the intersection of LA 16 at US 51 was closed for a time due to filming, with local store fronts don faux signage to transform Amite City, and east of Amite near Bell Road.^[146] It was revealed that scenes were filmed prior in Husser on May 25, 2016, with a scheduled daytime shoot to occur at the Greenlawn Cemetery in Hammond on May 27, 2016.^[147] Filming took place from June 9, 2016, until June 10, 2016, in New Orleans and Metairie, respectively.^[148]

On June 1, 2016, it was confirmed that 20th Century Fox have applied to film exterior scenes for Juarez on Louisiana Highway 15 between Ferriday and Clayton from June 12, 2016, up until June 16, 2016,^[149] at the Ferriday Plaza Shopping Center,^[150] while a portion of U.S. Route 425 between Ferriday and Clayton will be closed for a five-day period in connection with Fox's production.^[151][152] On June 1, 2016, The Concordia Sentinel revealed that Sicily Island High School and a house in Sicily Island will be used in the production, while a crash scene will be shot on U.S. Route 425 just outside of Ferriday.^[151] Producers Kinberg, Shuler Donner and Parker choose to film in Ferriday, Louisiana, because of Concordia Parish's beautiful countryside and green cornfields.^[153] On June 16, 2016, Juarez was originally scheduled to move on toward Sicily Island, however, additional periods of shooting were added.^[154]Natchez, Mississippi had been chosen by producers of Juarez as the next filming location, for an upcoming scene which required the casting truck drivers,^[155] that will be filmed between June 14 up until June 28, 2016.^[156]

On July 12, 2016, the Albuquerque Journal confirmed that Juarez will move on to its third major filming location—New Mexico, which will run through August in Albuquerque, Rio Rancho, Abiquiú, Tierra Amarilla and Chama.^{[157][158][159][160][161][162]} The New Mexico Film Office revealed that the production will employ about 130 New Mexican crew members and two New Mexican cast members, as well as 600 extras throughout the production, the film office stated.^[163] On July 17, 2016, it was reported that the production of Juarez was in the process of casting to work on a scene filmed on July 22, 2016, in Albuquerque, New Mexico.^[164] On July 25, 2016, it was reported that filming had begun in the Northern Meadows neighborhood of Rio Rancho, while a few miles further down King Boulevard there is an elaborate set built with a toppled water tower,^[159] that will be used for exterior shots until June 27, 2016.^[165][166] On August 11, 2016, it was reported that the production of Juarez were in the process of seeking worn out cars to work on an upcoming scene filmed on August 12, 2016, in Albuquerque, New Mexico.^[167][168] Principal photography was confirmed to have ended in New Mexico on August 13, 2016,^{[169][170][171]} with an altered shooting schedule occurring from May 2 to August 13, 2016,^[139] while with post-production beginning subsequent to filming closure on August 23, 2016.^{[172][173][174]}

Post-production[edit]

Film editorMichael McCusker was finishing work on Mangold's Logan, during the period of October 7, 2016, wherein he spoke of going through the dailies and breaking them down, and figuring out the structure of one scene which he described as a 'complicated, multi-component scene'.^[175] McCusker spoke of the task being rather time consuming, on the front end, albeit stating, 'I am looking at the back end experience with [Mangold] as the more important experience. I don't want to be searching for stuff for him, I want to working towards getting the cut right.'^[175] McCusker concluded by stating that another editor on Logan has use for post-production.^[175] Chas Jarrett was the overall visual effects supervisor and visual effects company Image Engine worked on most of the visual effects on Logan.^{[176][177][178]}

Music[edit]

In July 2016, Cliff Martinez was announced as the composer of Logan's musical score.^{[179][180][181][182]} In December 2016, Mangold announced that Marco Beltrami, who had previously collaborated with Mangold on 3:10 to Yuma (2007) and The Wolverine (2013), would take over from Martinez and score Logan instead.^[183]

Track listing

Logan (Official Motion Picture Soundtrack)
Soundtrack album by
Released	March 31, 2017
Genre	Film score
Length	57:31
Label	Sony Classical

All music composed by Marco Beltrami.

Logan (Original Motion Picture Soundtrack)
No.	Title	Length
1.	'Main Titles'	2:21
2.	'Laura'	2:24
3.	'The Grim Reavers'	1:32
4.	'Old Man Logan'	2:45
5.	'Alternate Route to Mexico'	1:23
6.	'That's Not a Choo-Choo'	2:13
7.	'X-24'	2:46
8.	'El Limo-Nator'	1:38
9.	'Gabriella's Video'	2:35
10.	'To the Cemetery'	0:55
11.	'Goodnight Moon'	1:55
12.	'Farm Aid'	3:11
13.	'Feral Tween'	3:34
14.	'Driving to Mexico'	1:42
15.	'You Can't Break the Mould'	1:07
16.	'Up to Eden'	1:51
17.	'Beyond the Hills'	2:09
18.	'Into the Woods'	3:09
19.	'Forest Fight'	2:30
20.	'Logan vs. X-24'	4:13
21.	'Don't Be What They Made You'	2:04
22.	'Eternum – Laura's Theme'	3:34
23.	'Logan's Limo'	2:32
24.	'Loco Logan'	1:20
25.	'Logan Drives'	2:08

Total Album Length: 57:31

Track listing

Logan (Official Motion Picture Soundtrack) (Deluxe Edition)
Soundtrack album by
Released	April 21, 2017
Genre	Film score
Length	59:01
Label	Lakeshore Records

All music composed by Marco Beltrami.

Logan (Official Motion Picture Soundtrack) (Deluxe Edition)
No.	Title	Length
1.	'Main Titles'	2:21
2.	'Laura'	2:24
3.	'The Grim Reavers'	1:32
4.	'Old Man Logan'	2:45
5.	'Alternate Route to Mexico'	1:23
6.	'That's Not a Choo-Choo'	2:13
7.	'X-24'	2:46
8.	'El Limo-Nator'	1:38
9.	'Gabriella's Video'	2:35
10.	'To the Cemetery'	0:55
11.	'Goodnight Moon'	1:55
12.	'Farm Aid'	3:11
13.	'Feral Tween'	3:34
14.	'Driving to Mexico'	1:42
15.	'You Can't Break the Mould'	1:07
16.	'Up to Eden'	1:51
17.	'Beyond the Hills'	2:09
18.	'Into the Woods'	3:09
19.	'Forest Fight'	2:30
20.	'Logan vs. X-24'	4:13
21.	'Don't Be What They Made You'	2:04
22.	'X Marks the Plot'	1:30
23.	'Eternum – Laura's Theme'	3:34
24.	'Logan's Limo'	2:32
25.	'Loco Logan'	1:20
26.	'Logan Drives'	2:08

Total Album Length: 59:01

Influences[edit]

The film takes visual, tonal and thematic inspiration from classic western and noir cinema, with director James Mangold having stated that Logan's influences included 'visual reference points' of cinema, citing Shane (1953), The Cowboys (1972), Paper Moon (1973), The Gauntlet (1977), Unforgiven (1992), Little Miss Sunshine (2006), and The Wrestler (2008).^{[186][187][188][189]}

Mangold spoke of cinematography-based framing, while noting that he does not necessarily think about the 'comic-book' related sort, instead highlighting the variety of stylistic influences that went into Logan.^[190] These influences include film noir framings and classic Hollywood filmmaking styles, as well as the Germanic expressionist filmmaking style of the early part of the last century, which Mangold stated has a commonality with comic-book art.^[191] Mangold highlighted 'Strong foregrounds, playing things in depth: you have to make an image say more within that one image.'^[192]

Using the image of Logan at a funeral as an example of his stylistic logic,^[193] Mangold concluded by mentioning the aspects within modern filmmaking, primarily everything in close-up format. For Logan, his aim was to set frames that are descriptive, and evocative of comic-book panels and classical filmmaking.^[194]

Release[edit]

Logan premiered at the 67th Berlin International Film Festival on February 17, 2017, in Berlin, Germany,^[195] where it was selected to be screened out of competition^[196][197] alongside The Bar, Final Portrait, Midwife, T2 Trainspotting, and Viceroy's House,^[198][199] before screening in the United States, where it was given a wide release on March 3, 2017.^{[200][201][202][203]} In October 2015, Fox confirmed that Logan would be released in the IMAX format.^{[204][205][206]} In the United States, Canada and the United Kingdom, the film was preceded by a short film, Deadpool: No Good Deed. In it, Deadpool notices a man getting robbed, and springs into action—but first has to change into his costume in a phone booth. As he is finishing up, the man is shot; the short film ends with Deadpool commenting on the strangeness of the phone booth's presence, and eating the man's ice cream. The teaser met with positive reviews. Ryan Reynolds posted an extended version of the teaser via his YouTube channel the day after the film's release.^[207]

One Last Time promotion and future[edit]

Prior to the confirmation that the then-untitled Logan would be his final appearance in the X-Men film franchise, Jackman initially denied such rumors. Jackman stated that he was inspired by Michael Keaton's performance in Birdman, and wished to portray the character of Wolverine until his death.^[208][209] In July 2015, Jackman posted an image of Logan giving the middle finger with a claw to his Twitter. The image, coupled with the hashtag '#OneLastTime', signified that the film would be his last appearance as Logan, and officially announced his decision to stop playing the character he had been portraying for the past 17 years.^{[210][211][212]} Eventually it earned Jackman Guinness World Record of the 'longest career as a live-action Marvel superhero'.^[213]

During an appearance on The Dr. Oz Show in May 2015, Jackman clarified the confusion over the conflicting sentiments, by stating bluntly that the film would be his final portrayal as the character; he said, 'This will be my last one, it is my last time. It just felt like it was the right time to do it, and let's be honest, 17 years. I never thought in a million years it would last, so I'm so grateful to the fans for the opportunity of playing it. I kind of have in my head what we're going to do in this last one. It just feels like this is the perfect way to go out.'^[214] Jackman has also explained that Jerry Seinfeld has convinced him to quit the role stating, 'He said to me, when you're creating something it's very important not to run yourself dry. It's not about finishing on top, necessarily, but making sure you're, creatively, still got something left, which propels you into the whatever's next.'^[215]

In December 2016, Ryan Reynolds revealed that he had been trying to convince Jackman to re-sign for a Wolverine and Deadpool crossover film. Urging fans to campaign online, he stated, 'I want Deadpool and Wolverine in a movie together. What we're gonna have to do is convince Hugh. If anything, I'm going to need to do what I can to get my internet friends back on board to help rally another cause down the line. Hugh Jackman is one of the best human beings. Part of the reason I want to do a Deadpool/Wolverine movie is not just because I think the two would light the screen on fire but I genuinely love the guy.'^[216] In January 2017, Reynolds and Jackman spoke about the proposed project; Jackman stated, 'I'm hesitating, because I could totally see how that's the perfect fit. But the timing may be wrong.'^[217] Jackman later stated that he would not reprise the role for a team-up film, specifying, 'No, and Ryan is currently sleeping outside my house. [Laughs] Look, if that movie had appeared 10 years ago, probably a different story, but I knew two-and-a-half years ago that this was the last one. The first call I made was to [director James Mangold]. I said, 'Jim, I got one more shot at this,' and as soon as Jim came up with the idea and we worked on it, I was never more excited. But, it feels like the right time. Deadpool, go for it man, do your thing. You don't need me.'^[218]

Jackman expressed interest in continuing to play Wolverine had the character been brought into the Marvel Cinematic Universe. Jackman elaborated, 'If that was on the table when I made my decision, it certainly would have made me pause. That's for sure. Because I always love the idea of him within that dynamic, with the Hulk obviously, with Iron Man but there's a lot of smarter people with MBAs who can't figure that out. You never know. At the moment, honestly, if I really did have them there, I probably wouldn't have said this is the last. It just feels like this is the right time [to leave the character].'^[219][220]

Amid rumors of Disney's prospective acquisition of 20th Century Fox's film division, it was revealed such a deal would indeed allow the X-Men related characters to appear in the Marvel Cinematic Universe.^[221]

During press for The Greatest Showman, Jackman addressed his earlier statements and whether he would come out of retirement and reprise the role should the deal go through. Jackman stated that while he noted the irony and felt some initial disappointment upon learning the news, he planned on standing by his decision to retire from the role. 'It's interesting because for the whole 17 years I kept thinking that would be so great, like I would love to see, particularly, Iron Man and the Hulk and Wolverine together. And every time I saw an Avengers movie I could just see Wolverine in the middle of all of them like punching them all on the head. But it was like, 'Oh well, that's not gonna happen,' and it was interesting just when I first saw that headline—it was just the possibility of it and who knows what's gonna happen, obviously—I was like, 'Hang on!' But I think, unfortunately, the ship has sailed for me, but for someone else I would like to see Wolverine in there.'^[222]

As for the other principals and their prospective futures; although Patrick Stewart had stated that Logan would be the final time he played the role of Professor X,^{[223][224][225]} he later said that he would be willing to return to the role in Deadpool 2 or the Legion TV series.^[220][226]Bryan Singer has stated in an interview with Fandango that he would like to see Laura Kinney appear in a future film alongside Deadpool, as the new Wolverine, with Dafne Keen reprising her role from Logan.^[227]

Mangold also stated that with the introduction of Laura / X-23 into the X-Men cinematic universe, there is the possibility that the character will appear in future films, and that he would want to be involved should that happen.^[228]Simon Kinberg, producer of the X-Men series, later stated that the studio has plans for future movies that would be revealed soon, and that among those announcements, is another film featuring X-23.^[229] On October 24, 2017, Mangold confirmed to The Hollywood Reporter that a script for an X-23 solo spinoff movie is in the works stating 'We're just working on a script'.

Marketing[edit]

In April 2016, Fox decided not to showcase its upcoming movie releases, including Logan, at Hall H at San Diego Comic-Con, as the studio felt it could not prevent the piracy of custom trailers and exclusive footage routinely screened for fans in attendance.^[230][231]

On October 20, 2016, 20th Century Fox released a 90-second teaser trailer to promote Logan,^[232] following a six-second sneak peek the prior day.^[233] Later that day, 20th Century Fox released an international red band version of the trailer, featuring slightly more graphic violence than the original.^[234][235]Empire Magazine chose the trailer as the best trailer of the year.^[236]The Hollywood Reporter's Aaron Couch praised the trailer, and stated, 'If Logan delivers on the promise of this trailer, it will be a true rarity in modern superhero movie making.'^[237] James Dyer of Empire heralded the trailer and its director, James Mangold, by stating: 'We've had a veritable feast of great trailers .. from John Wick to Rogue One, Assassin's Creed and A Cure for Wellness. But none .., no matter how impressive, have been quite so artfully constructed as this glorious first look at [Mangold]'s Logan.'^[238] Forrest Wickman of Slate called the trailer 'surprisingly mournful'.^[239]

Home media[edit]

Logan was made available on Blu-ray, DVD, and 4K on May 23, 2017, and was released on Digital HD on May 16, 2017.^[240]

Logan Noir[edit]

On April 29, 2017, James Mangold announced via Twitter that a black-and-white version of the film entitled Logan Noir would have a limited theatrical run in U.S. theaters, an event set to begin on May 16, 2017. Mangold stated that it was shot as a color film, with awareness that it would play well as a black and white film. The film was re-graded and timed shot by shot for the Noir edition.^[241] This version of the film is included on the Digital HD release and also included in the DVD and Blu-ray Combo Pack.^[242][243]

Reception[edit]

Box office[edit]

Logan grossed $226.3 million in the United States and Canada and $392.7 million in other countries for a worldwide gross of $619 million, against a production budget of $97 million.^[2] Worldwide, the film had a global debut of $247.4 million from 82 markets, the fifth-biggest ever for Fox, as well as the second-biggest R-rated IMAX debut, with $20.6 million from 1,068 screens.^[244] The film grossed $440.9 million in its first 13 days of release, surpassing the entire theatrical gross of The Wolverine ($414.8 million).^[245][246]

United States and Canada[edit]

Predictions for its opening in the US and Canada were continuously revised upwards, from $55 million to as high as $80 million, with box office pundits noting that the figures could climb even higher.^{[247][248][249][250][251]} Fox, however, was more conservative with its estimations, predicting an opening in the mid $60 million range.^[252]Logan received a record-breaking release across 4,071 theaters, the widest for an R-rated film (breaking American Sniper's 3,888 theater count). It is also the widest R-rated IMAX release, across 381 IMAX theaters. Five hundred and eighty theatres were premium large-format screens.^[247] Two days before the film's release, ticket selling site Fandango reported that the film was outpacing all previous X-Men movies (except Deadpool) at the same point in their sales cycle.^[253]

Logan earned $9.5 million from Thursday night previews, which began at 7 pm. This marked the second-biggest previews in the X-Men franchise, behind only Deadpool's $12.7 million.^[254] On its opening day, the film scored the biggest R-rated March opening, with $33.1 million (breaking 300's record), as well as the third-biggest R-rated debut after Deadpool ($47.3 million) and The Matrix Reloaded ($37.5 million).^[255] Earning a total of $88.4 million during its opening weekend, the film scored the biggest Wolverine movie opening, the biggest R-rated March opening, the fourth-biggest March opening, the fifth-largest X-Men opening, and the fifth-biggest R-rated opening overall (ninth in terms of inflation adjusted).^[256][257] It is also the biggest R-rated opening weekend that did not take place on a holiday.^[258] Approximately 8.2% of the total ticket sales came from Canada, with premium large formats comprising $12.3 million (15%) from 558 screens, and IMAX comprising $10 million (12%) of the film's total opening weekend.^[259]

Males comprised a bulk of the audience demographic during its opening weekend, with 63%, while females comprised 37%, with 83% of the audience being between 18 and 44 years of age.^[259] Critics noted that the R rating—the second-ever for the X-Men franchise—could be a hindering factor in the film's mass appeal. However, by the time of its release, the film met with critical and commercial success and a robust opening.^[248] According to a poll conducted by Fandango during its opening weekend, 71% of moviegoers said that more superhero films should be rated R, while 86% were interested in seeing a more violent, adult X-Men film that weekend. Furthermore, 96% said they were excited to see Hugh Jackman, 94% were intrigued to see Patrick Stewart reprising his role as Professor X, and 76% were interested in watching newcomer Dafne Keen.^[260] In its second weekend, the film dropped 56.9%, grossing $38.1 million and finishing second at the box office behind newcomer Kong: Skull Island ($61 million).^[246] In its third weekend it made $17.8 million, finishing in third behind Beauty and the Beast ($174.8 million) and Kong: Skull Island ($27.8 million).^[261] In its fourth weekend it made $10.1 million, dropping 43.1% from the previous week and finishing 5th at the box office.^[262]

Other countries[edit]

Logan was projected to open as high as $105 million. However, US forecasters believed that it could post an even higher opening if it were to overperform in major markets—most notably China. It opened day-and-date in almost every major market except Japan, where Doraemon the Movie 2017 was released. Fox ultimately decided to postpone the film's release there in order to avoid competition.^[247] Through Sunday, the film exceeded expectations and posted a five-day opening worth $152.5 million from 81 markets. This is Fox International's third-biggest launch of all time, behind X-Men: Days of Future Past ($172 million) and Avatar ($164 million).^[244] It debuted at No. 1 in 80 markets. It broke the record for the biggest R-rated IMAX release ever and the biggest 2D IMAX opening, with $10.6 million on 687 screens.^[244]

Mainland China is the movie's best grossing market outside America, contributing $106 million in box office.^[263] The film became the first ever film required by a new Film Promotion Law, which went into effect on March 1, 2017, to feature an age-restriction warning in its marketing material. Nevertheless, the film is still trimmed by 14 minutes, totaling 123 minutes. It is very likely that the move was due to usual censorship by the State Administration of Press, Publication, Radio, Film and Television, because of the violence depicted.^[264] Despite such restrictions, the film managed to debut with a better-than-expected $48.9 million, including previews, according to data from Ent Group (Fox reported $46.3 million). This marked the second-biggest X-Men opening in the country, trailing behind only Apocalypse. Tracking showed that the film opened with 85,000 screenings on Friday, which increased to about 95,000 on Saturday and Sunday, from a 9.98 million attendance. Included within that total was $4.4 million from 388 IMAX screens.^[265]

In Brazil, it recorded the biggest opening for Fox, and the seventh-biggest opening overall, with $8.2 million. The top openings were in China ($46.3 million), the U.K. ($11.4 million), Korea ($8.2 million), and Russia ($7.1 million).^[244] In India, the film debuted with an estimated 17 crore ($2.5 million) net, equating to a gross of $3.4 million, on 1,400 screens. According to Fox, that was the highest debut for any X-Men title in the territory, marginally ahead of X-Men: Apocalypse. While the debut was not enough to break any significant records, it ranked as the second-biggest opening weekend for a Hollywood release in the January–March quarter, behind Batman v Superman: Dawn of Justice.^[266]

Critical response[edit]

Logan was released to positive reviews with many critics praising the cast, especially Jackman's performance. The film was also commended for its thoughtful tone and story. On review aggregator Rotten Tomatoes, it has an approval rating of 93% based on 382 reviews, with an average rating of 7.89/10. The website's critical consensus reads, 'Hugh Jackman makes the most of his final outing as Wolverine with a gritty, nuanced performance in a violent but surprisingly thoughtful superhero action film that defies genre conventions.'^[267]Metacritic, another review aggregator, assigned a weighted average score of 77 out of 100, based on 51 critics, indicating 'generally favorable reviews'.^[268] Audiences polled by CinemaScore gave an average grade of 'A–' on an A+ to F scale, while PostTrak-surveyed audiences gave the film a rare five out of five.^[269][259] Some reviewers noted Logan as one of the greatest superhero films.^{[20][270][271][272][273][274][275]}

Scott Collura of IGN gave Logan a score of 9.7/10, and called it, 'an emotional, heavy picture, but it's also an uplifting one that reminds us that it's okay to fight for something more, something better', and 'perhaps the best X-Men movie yet.'^[276] A. A. Dowd of The A.V. Club gave an 'A-' and said that '[the film] manages to deliver the visceral goods, all the hardcore Wolverine action its fans could desire, while still functioning as a surprisingly thoughtful, even poignant drama—a terrific movie, no 'comic-book' qualifier required'.^[277] Chris Nashawaty of Entertainment Weekly gave it a 'B-', and called it 'both the most violent film in the series and the most sentimental one. When it's not showering you in blood, it's trying to make you spill tears.'^[278] Sheri Linden of The Hollywood Reporter reacted positively, saying: 'Seamlessly melding Marvel mythology with Western mythology, [director] James Mangold has crafted an affectingly stripped-down standalone feature, one that draws its strength from Hugh Jackman's nuanced turn as a reluctant, all but dissipated hero.'^[279]

Peter Bradshaw of The Guardian gave it 4/5, stating 'It is more like a survivalist thriller than a superhero film, and signals its wintry quality with the title itself' and compared Wolverine's hitting of his truck during the film to Basil Fawlty from Fawlty Towers.^[280]James Berardinelli of ReelViews gave it 3.5/4 and said, 'In terms of tone and content, Logan is Deadpool's polar opposite but both productions refuse to play by traditional superhero movie rules .. With his glimpse into what superhero movies can be, James Mangold has given us something sadly lacking in recent genre entries: hope.'^[281]Kyle Smith of the New York Post also gave 3.5/4 and said 'the film recognizes that superhero movies such as last year's forgettable X-Men: Apocalypse have become meaningless spectacle .. I'd rank it beside X-Men: Days of Future Past among the best X-Men entries.'^[282] Brian Tallerico of RogerEbert.com stated, 'Logan has stakes that feel real, and fight choreography that's fluid and gorgeous instead of just computer-generated effects. Most importantly, Logan has characters with which you identify and about whom you care. It's not just 'great for a superhero movie', it's a great movie for any genre.'^[283]

Brian Truitt of USA Today said, 'Easily the best Wolverine outing, Logan is [the] Dark Knight of the mutant-filled X-franchise, a gripping film that transcends the comic-book genre by saying something important.'^[284]Peter Travers of Rolling Stone gave 3.5/4, and called it 'a hard-ass, R-rated rager that explodes with action'.^[285] Amy Nicholson of MTV called it 'a phenomenal, throat-slashing, gut-stabbing superhero movie'.^[286] Germain Lussier of io9 said, 'Logan is beautiful, sophisticated, and still a kick-ass superhero film'.^[287] Michael Roffman of Consequence of Sound called the film 'A game-changing masterpiece'.^[288] Matt Donato of We Got This Covered said, 'It's not just one of the best superhero movies ever, it's a damn-fine cinematic representation of the human condition in all its agonizing forms.'^[289] Joe Morgenstern of The Wall Street Journal said, 'It's the best superhero film to come out of the comic-book world, and I'm not forgetting Christopher Nolan's 'The Dark Knight'.'^[290] Jackman's acting as Wolverine has been praised, and his performance topped The Hollywood Reporter's Greatest Superhero Movie Performances of All Time list.^[291]

Anthony Lane of The New Yorker reacted negatively, saying 'If ever there was a time to hang up [Hugh Jackman]'s claws, that time is now.'^[292] Mara Reinstein of Us Weekly gave the movie 2.5/4 and specified, in a lukewarm review, that '[t]he film loses its way during the 20-minutes-too-long journey. For all the breathless talk about how Logan transcends the superhero genre, there's nothing groundbreaking about a road trip movie in which adults try to elude the bad guys to protect a super-special child.'^[293]Michael Phillips of the Chicago Tribune gave it 2/4 and said, 'Logan is deadly serious, and while its gamer-style killing sprees are meant to be excitingly brutal, I found them numbing and, in the climax, borderline offensive.'^[294]Stephanie Zacharek of Time magazine said, 'The grim side of human nature is all over James Mangold's Logan. But that doesn't necessarily make it a good movie.'^[295]

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Accolades[edit]

Award	Date of ceremony	Category	Recipient(s)	Result	Ref(s)
AACTA International Awards	January 6, 2018	Best Actor	Hugh Jackman	Nominated	[296]
Academy Awards	March 4, 2018	Best Adapted Screenplay	Scott Frank, James Mangold and Michael Green	Nominated	[297]
Art Directors Guild Awards	January 27, 2018	Excellence in Production Design for a Contemporary Film	François Audouy	Won	[298]
Chicago Film Critics Association	December 12, 2017	Best Adapted Screenplay	Scott Frank, James Mangold and Michael Green	Nominated	[299]
		Most Promising Performer	Dafne Keen	Nominated
Critics' Choice Movie Awards	January 11, 2018	Best Action Movie	Logan	Nominated	[300]
		Best Supporting Actor	Patrick Stewart	Nominated
		Best Young Performer	Dafne Keen	Nominated
Detroit Film Critics Society	December 7, 2017	Best Supporting Actor	Patrick Stewart	Nominated	[301]
Dragon Awards	September 3, 2017	Best Science Fiction or Fantasy Movie	Logan	Nominated	[302] [303]
Dublin Film Critics' Circle	December 14, 2017	Best Film	Logan(with God's Own Country)	9th place	[304]
		Best Director	James Mangold	10th place
		Best Actor	Hugh Jackman	9th place
		Breakthrough Artist of the Year	Dafne Keen	Nominated
Empire Awards	March 23, 2018	Best Actor	Hugh Jackman	Won	[305]
		Best Female Newcomer	Dafne Keen	Won
		Best Sci-Fi/Fantasy	Logan	Nominated
Golden Tomato Awards	January 3, 2018	Best Wide Release 2017	Logan	6th place	[306]
		Best Comic Book/Graphic Novel Movie 2017	Logan	2nd place
Golden Trailer Awards	June 6, 2017	Best Music	20th Century Fox, Rogue Planet	Won	[307] [308]
		Best Radio/Audio Spot	20th Century Fox, Picture Production Company	Nominated
Hollywood Music in Media Awards	November 16, 2017	Best Original Score – Sci-Fi/Fantasy/Horror Film	Marco Beltrami	Nominated	[309] [310]
Houston Film Critics Society	January 6, 2018	Best Picture	Logan	Nominated	[311]
		Best Supporting Actor	Patrick Stewart	Nominated
		Best Supporting Actress	Dafne Keen	Nominated
IGN Awards	December 19, 2017	Movie of the Year	Logan	Nominated	[312]
		Best Action Movie	Logan	Won
		Best Lead Performer in a Movie	Hugh Jackman	Nominated
		Best Supporting Performer in a Movie	Dafne Keen	Nominated
		Best Supporting Performer in a Movie	Patrick Stewart	Won
Location Managers Guild Awards	April 7, 2018	Outstanding Locations in Contemporary Film	Maria Bierniak	Nominated	[313]
London Film Critics' Circle	January 28, 2018	Young British / Irish Performer of the Year	Dafne Keen	Nominated	[314]
MTV Movie & TV Awards	May 7, 2017	Movie of the Year	Logan	Nominated	[315] [316]
		Best Actor in a Movie	Hugh Jackman	Nominated
		Best Duo	Hugh Jackman and Dafne Keen	Won
National Board of Review	January 9, 2018	Top 10 Films	Logan	Won	[317]
Online Film Critics Society Awards	December 28, 2017	Best Supporting Actor	Patrick Stewart	Nominated	[318] [319]
Satellite Awards	February 10, 2018	Best Sound	Logan	Nominated	[320]
Saturn Awards	June 27, 2018	Best Comic-to-Motion Picture Release	Logan	Nominated	[321]
		Best Actor	Hugh Jackman	Nominated
		Best Supporting Actor	Patrick Stewart	Won
		Best Performance by a Younger Actor	Dafne Keen	Nominated
		Best Writing	Scott Frank, Michael Green and James Mangold	Nominated
		Best Editing	Michael McCusker and Dirk Westervelt	Nominated
Screen Actors Guild Awards	January 21, 2018	Outstanding Performance by a Stunt Ensemble in a Motion Picture	Logan	Nominated	[322]
Seattle Film Critics Society	December 18, 2017	Best Picture of the Year	Logan	Nominated	[323]
		Best Actor in a Supporting Role	Patrick Stewart	Nominated
		Best Youth Performance	Dafne Keen	Nominated
Teen Choice Awards	August 13, 2017	Choice Action Movie	Logan	Nominated	[324] [325]
		Choice Action Movie Actor	Hugh Jackman	Nominated
USC Scripter Awards	February 10, 2018	Best Adapted Screenplay	Scott Frank, James Mangold, Michael Green, Roy Thomas, Len Wein and John Romita Sr.	Nominated	[326]
Washington D.C. Area Film Critics Association	December 8, 2017	Best Youth Performance	Dafne Keen	Nominated	[327]
Writers Guild of America Awards	February 11, 2018	Best Adapted Screenplay	Scott Frank, James Mangold and Michael Green	Nominated	[328]

Future[edit]

In 2017, it was reported that director James Mangold had begun writing a new spin-off sequel to Logan focusing on Laura / X-23 and the continuation of her story.^{[329][330][331]} However few details other than Mangold and Craig Kyle's involvement had been released, nor was it ever listed on Fox's schedule. The ultimate fate of the project is uncertain due to the recent merger between Disney and Fox, as well as Disney's policy of making superhero movies rated PG-13.^[332]

References[edit]

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209. ^Perry, Spencer (February 21, 2015). 'Hugh Jackman Wants to Continue Playing Wolverine Until He Dies'. Spencer Perry. Retrieved December 21, 2016.
210. ^Percival, Ashley (July 28, 2015). ''Wolverine': Hugh Jackman Teases His Final Appearance As 'X-Men' Character'. The Huffington Post. Retrieved November 1, 2016.
211. ^Deen, Sarah (July 28, 2015). 'Hugh Jackman gives us the finger in slick Wolverine teaser'. Metro. Retrieved November 1, 2016.
212. ^Hawkes, Rebecca (July 28, 2015). 'Wolverine Sequel - Hugh Jackman asks fans: 'what do you want to happen?''. The Daily Telegraph. Retrieved November 1, 2016.
213. ^'Hugh Jackman surprised with record title to mark 17-year Wolverine career'. Guinness World Records. February 19, 2019.
214. ^Loveitt, Jamie (May 7, 2015). 'Hugh Jackman Confirms Wolverine 3 Will Be His Last Time As Character'. comicbook.com. Retrieved December 21, 2016.
215. ^Loveitt, Jamie (February 27, 2017). 'Jerry Seinfeld Convinced Hugh Jackman to Quit Playing Wolverine'. comicbook.com. Retrieved March 3, 2017.
216. ^Stack, Tim (December 8, 2016). 'Ryan Reynolds wants to make a Deadpool/Wolverine movie'. Entertainment Weekly. Retrieved December 21, 2016.
217. ^Setoodeh, Ramin (January 3, 2017). 'How 'Deadpool' Saved Ryan Reynolds'. Variety. Retrieved January 3, 2017.
218. ^Hood, Cooper (February 23, 2017). 'Hugh Jackman Shoots Down Possible Wolverine & Deadpool Team-Up'. screenrant.com. Retrieved February 24, 2017.
219. ^Keyes, Rob (February 23, 2017). 'If X-Men Were In MCU, Hugh Jackman Would Keep Playing Wolverine'. ScreenRant.com. Retrieved February 24, 2017.
220. ^ ^ab'Patrick Stewart Would Play Professor X Again Under One Condition'. Retrieved January 2, 2018.
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223. ^DobleArcoíris com (March 2, 2017). 'Q&A: Hugh Jackman & Patrick Stewart talk 'Logan' (The Wolverine)' – via YouTube.
224. ^'The One Thing That Would Get Patrick Stewart To Play Professor X Again'. CinemaBlend. March 2, 2017.
225. ^Collis, Clark (February 24, 2017). 'Patrick Stewart says he's retiring from X-Men franchise: 'I'm done''. Entertainment Weekly. Retrieved February 24, 2017.
226. ^Kevin FITZPATRICK (March 7, 2017). 'Patrick Stewart Would Play Charles Xavier Again for 'Legion''. screencrush.com.
227. ^Davis, Erik (May 16, 2016). 'Fox is Already Working on an 'X-Force' Movie; Bryan Singer has Pitched A Female Wolverine'. Fandango.
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229. ^'X-Men: Simon Kinberg On That Rumored X-23 Movie .. And Alpha Flight?'. lrmonline.com. February 24, 2017.
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242. ^Mangold, James (@mang0ld) (April 29, 2017). 'Suggestion. Hard core B&W loving LOGAN fans should not make any plans on the evening of May 16th'. Twitter. Retrieved May 2, 2017.
243. ^Liptak, Andrew (April 29, 2017). 'Logan's black-and-white cut is coming to theaters on May 16th'. The Verge. Retrieved May 2, 2017.
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249. ^Pamela McClintock (March 2, 2017). 'Box-Office Preview: 'Logan' to Sink Claws Into $65M-Plus U.S. Debut'. The Hollywood Reporter. Retrieved March 2, 2017.
250. ^Jeremy Fuster (March 1, 2017). ''Logan' to Launch Blockbuster Season at Box Office With $80 Million Opening'. The Wrap. Retrieved March 2, 2017.
251. ^Joey Nofli (March 2, 2017). 'Box office preview: Logan to slash competition'. Entertainment Weekly. Retrieved March 3, 2017.
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254. ^Dave McNarry (March 3, 2017). 'Box Office: Hugh Jackman's 'Logan' Rakes in $9.5 Million on Thursday'. Variety. Retrieved March 4, 2017.
255. ^Anthony D'Alessandro (March 4, 2017). ''Logan' Logging Best R-Rated Opening In March With $81M+; Audiences Love 'Shack': Saturday AM Update'. Deadline Hollywood. Retrieved March 5, 2017.
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262. ^'Family-Branded Films On Fire At The B.O.: 'Beauty And The Beast' Embraces $81M; 'Power Rangers' Mighty With $42M+'. Deadline Hollywood. Retrieved March 26, 2017.
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264. ^Fergus Ryan (March 1, 2017). ''Logan' Becomes First Film In China Affected By New Law'. China Film Insider. Retrieved March 6, 2017.
265. ^Patrick Frater (March 5, 2017). 'China Box Office: Defanged 'Logan' Scores $48 Million Opening'. Variety. Retrieved March 6, 2017.
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270. ^Wittmer, Carrie (March 4, 2017). 'Why critics are calling 'Logan' the best superhero movie ever'. Business Insider.
271. ^''Logan' Is Hands-Down The Best Superhero Movie Ever Made'. The Federalist. March 3, 2017.
272. ^Collier, Sean (March 3, 2017). 'Logan is Among the Best Comic-Book Movies Ever'. Pittsburgh Magazine.
273. ^Fear, David (March 7, 2017). 'Why We Needed 'Logan' to Kill the Modern Superhero Movie'. Rolling Stone.
274. ^Taylor, Michael (March 10, 2017). 'How Logan Changed Comic Book Movies Forever'. Screen Rant.
275. ^Levy, Damien (March 6, 2017). ''Logan' A Mature, Moving Superhero Movie'. Gleaner Company.
276. ^Collura, Scott (February 17, 2017). 'Logan Review'. IGN. Retrieved March 2, 2017.
277. ^Dowd, A.A. (February 28, 2017). 'The Wolverine series gets a superb sendoff with the brutal, R-rated Logan'. The A.V. Club. Retrieved March 2, 2017.
278. ^Nashawaty, Chris (February 17, 2017). 'Logan: EW review'. Entertainment Weekly. Retrieved March 2, 2017.
279. ^Linden, Sheri (February 17, 2017). 'Logan: Film Review Berlin 2017'. The Hollywood Reporter. Retrieved March 2, 2017.
280. ^Bradshaw, Peter (February 17, 2017). 'Logan review – Hugh Jackman's Wolverine enters a winter of X-Men discontent'. The Guardian.
281. ^Berardinelli, James (March 1, 2017). 'Logan (United States, 2017)'. Reelviews. Retrieved March 2, 2017.
282. ^Smith, Kyle (February 28, 2017). 'Logan is a return to science fiction's glory days'. New York Post. Retrieved March 2, 2017.
283. ^Tallerico, Brian (February 27, 2017). 'Logan Movie Review and Film Summary (2017)'. RogerEbert.com. Retrieved March 2, 2017.
284. ^Truitt, Brian (February 17, 2017). 'Review: Logan gives Hugh Jackman's Wolverine a super sendoff'. USA Today. Retrieved March 4, 2017.
285. ^Travers, Peter (March 1, 2017). 'Logan Review: Hugh Jackman's 'X-Men' Swan Song Is Bloody, Violent, Brilliant'. Rolling Stone. Retrieved March 4, 2017.
286. ^Nicholson, Amy (March 1, 2017). 'Logan Brings Heart and Horror to X-Men'. MTV. Retrieved March 4, 2017.
287. ^Lussier, Germain. 'Logan Is Beautiful, Sophisticated, and Still a kick-ass Superhero Film'. io9.
288. ^'Film Review: Logan'. Consequence of Sound. March 2, 2017.
289. ^'Logan Review'. We Got This Covered. March 3, 2017.
290. ^''Logan' Review: Violence and Drama That Cut Deep'. The Wall Street Journal. March 2, 2017.
291. ^'50 Greatest Superhero Movie Performances of All Time'. The Hollywood Reporter. March 3, 2017.
292. ^Lane, Anthony (March 6, 2017). 'Get Out and Logan'. The New Yorker. Retrieved March 2, 2017.
293. ^Reinstein, Mara (February 28, 2017). 'Logan Review: Hugh Jackman's Last Outing as X-Men Wolverine Is 'Bleak' and 'Intense''. Us Weekly. Retrieved March 2, 2017.
294. ^Phillips, Michael (February 28, 2017). 'Logan review: Jackman's Wolverine bids farewell in ultraviolent final chapter'. Chicago Tribune. Retrieved March 2, 2017.
295. ^Zacharek, Stephanie (February 17, 2017). 'Logan review: not just the bloodiest X-Men movie, but also the saddest'. Time. Retrieved February 21, 2017.
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External links[edit]

Wikiquote has quotations related to: Logan (film)

• Logan on IMDb
• Logan at Box Office Mojo
• Logan at Rotten Tomatoes
• Logan at Metacritic
• Logan at AllMovie

Screenplays, movie scripts and transcripts organized alphabetically:

• PDF

13 Ghosts by Neal Marshall Stevens (based on the screenplay by Robb White) revised by Richard D'Ovidio

16 Blocks by Richard Wenk

One Eight Seven by Scott Yagemann

25th Hour by David Benioff

2001 Maniacs by Chris Kobin & Tim Sullivan

2010 The Odyssey Continues by Peter Hyams (based on the novel by Arthur C. Clarke)

3 Kings by David O. Russell (story by John Ridley)

40 Year Old Virgin by Judd Apatow & Steve Carell

Eight Legged Freaks (Originally Titled Arac Attack) by Jesse Alexander & Ellory Elkayem

8 Mile (aka Untitled Detroit Project) by Scott Silver

Above the Law by Steven Pressfield & Ronald Shusett & Andrew Davis

Absolute Power by William Goldman (based on the book by David Baldacci)

Adaptation by Charlie Kaufman & Donald Kaufman

Adaptation by Charlie Kaufman & Donald Kaufman

The Addams Family by Larry Wilson and Caroline Thompson (rewrite by Paul Rudnick based on the characters by Charles Addams)

An Affair to Remember by Alfred Hayes

After School Special by David H. Steinberg

After the Truth (Nichts als die Wahrheit) by Christopher & Kathleen Riley

Alfie by Elaine Pope & Charles Shyer (based on the screenplay by Bill Naughton based on the play by Bill Naughton)

American Splendor by Robert Pulcini & Shari Springer Berman

An Officer and a Gentleman by Douglas Day Stewart

Anatomy of a Murder by Wendell Mayes

Angel Eyes by Gerald DiPego

Any Given Sunday by Jamie Williams & Richard Wiener, John Logan, Daniel Pyne

Apache Drums by David Chandler

Arac Attack (Released as Eight Legged Freaks) by Jesse Alexander & Ellory Elkayem

Armageddon by Robert Roy Pool & Jonathan Hensleigh

Asylum (Batman Vs Superman) by Andrew Kevin Walker (revised by Akiva Goldsman)

Awakenings by Steven Zaillian (based on the book by Oliver Sacks)

Bad Boys by Michael Barrie & Jim Mulholland and Doug Richardson

Bad Lieutenant by Abel Ferrara & Zo Lund

Barbershop by Mark Brown & Don D Scott

Batman Begins by David Goyer

Battle for the Planet of the Apes part 1 by Paul Dehn and John William Corrington and Joyce Hooper Corrington

Battle for the Planet of the Apes part 2 by Paul Dehn and John William Corrington and Joyce Hooper Corrington

Beauty Shop by Kate Lanier

Being Human by Bill Forsyth

Beneath the Planet of the Apes by Paul Dehn

The Big Easy by Jack Baran & Jim McBride (Original screenplay by Daniel Petrie, Jr.

The Big Sleep by William Faulkner, Leigh Brackett, Jules Furthman (from the novel by Raymond Chandler)

The Birds by Daphne Du Maurier, Evan Hunter

Blood Relations The Sun Wars (filmed as The Hills Have Eyes) by Wes Craven

Blood Work by Brian Helgeland (based on the novel by Michael Connelly)

The Blues Brothers by John Landis & Dan Aykroyd

Body Heat by Lawrence Kasdan

The Bodyguard by Lawrence Kasdan

Bonfire of the Vanities by Michael Cristofer, Based on the novel by Tom Wolfe

Born on the Fourth of July (part 1) by Oliver Stone and Ron Kovic (based on the book my Ron Kovic)

Born on the Fourth of July (part 1) by Oliver Stone and Ron Kovic (based on the book my Ron Kovic)

Born on the Fourth of July (part 2) by Oliver Stone and Ron Kovic (based on the book my Ron Kovic)

Born on the Fourth of July (part 2) by Oliver Stone and Ron Kovic (based on the book my Ron Kovic)

The Bourne Supremacy by Tony Gilroy and Brian Helgeland (based on the novel by Robert Ludlum)

Boy Who Never Slept by Solomon Rothman

Break by Oliver Stone

Breakdown by Jonathan Mostow

Brick by Rian Johnson

Broken Arrow By� Graham Yost

Call Northside 777 (part 1) by Jay Dratler

Call Northside 777 (part 2) by Jay Dratler

Capote by Dan Futterman (based on the book Capote: A Biography by Gerald Clarke)

Casablanca by Julius Epstien, Philip Epstien, & Howard Koch

Catwoman by John D. Brancato, Michael Ferris & John Rogers

Cellular by Larry Cohen, revised by Chris Morgan, revised by J. Mackye Gruber & Eric Bress

Charlie's Angels by Ed Soloman & John August, with revisions by Zak Penn

The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (formerly The Hundred Year Winter) by Christopher Markus & Stephen McFeely (revised by Andrew Adamson) based on the book The Lion, The Witch & The Wardrobe by C.S. Lewis)

City of Joy by Gerald Brach and Roland Joffe Based on the book by Dominique LaPierre

A Clockwork Orange by Stanley Kubrick

Close Encounters of The Third Kind (part 1) by Steven Spielberg

Close Encounters of The Third Kind (part 2) by Steven Spielberg

Clue (part 1) by Jonathan Lynn

Clue (part 2) by Jonathan Lynn

Cobb by Ron Shelton Based on material by Al Stump

Collateral by Stuart Beattie, revised by Frank Darabont, revised by Michael Mann

Collateral Damage by Ronald Roose

Commando by Richard Tuggle

Committed (filmed as Crazylove) by Carol Watson

Confessions of a Dangerous Mind by Charlie Kaufman

Confidence by Doug Jung

The Contest by Judith Berg & Sandra Berg

Cortes by Nicholas Kazan

Courage Under Fire by Patrick Sheane Duncan

Cradle to the Grave by John O'Brian & Channing Gibson

Crash by Paul Haggis & Bobby Moresco

Crazylove (was Committed) by Carol Watson

Crime Spree by Brad Mirman

The Crow: 2037 A New World of Gods and Monster by Rob Zombie

The Crying Game by Neil Jordan

Custody by Eric Stuyvesant

Dances With Wolves by Michael Blake

Death to Smoochy by Marty Kaplan

Deceptions by Richard Taylor

Duel by Richard Matheson

The Devil's Advocate by Jonathan Lemkin and Tony Gilroy (based on the novel by Andrew Neiderman)

Diamond Dead by Brian Cooper

Diamond Dead by Brian Cooper

Diamond Dead by Brian Cooper

Die Hard 2 by Doug Richardson revisions by Steven E. de Souza

The Distinguished Gentleman by Adam Resnick

Doom by Christpher Cleveland

A Dry White Season by Euzhan Palcy Based on the novel by Andre Brink

Edward Ford by Lem Dobbs

Logan 2017 Movie Script

Eight Legged Freaks (Originally Titled Arac Attack) by Jesse Alexander & Ellory Elkayem

Elizabethtown by Cameron Crowe

Encrypt by Richard Taylor

Equilibrium by Kurt Wimmer

Equilibrium by Kurt Wimmer

Escape from the Planet of the Apes (release title) The Secret of the Planet of the Apes (working title) part 1 by Paul Dehn

Escape from the Planet of the Apes (release title) The Secret of the Planet of the Apes (working title) part 2 by Paul Dehn

Eternal Sunshine of the Spotless Mind by Charlie Kaufman

Executive Decision by Jim Thomas & John Thomas

F by Howard A. Rodman

Fallen by Nicholas Kazan

Far From Heaven by Todd Haynes

The Flintstones by Steven E. DeSouza

Fortune Cookie by Rob Thomas

Freaked by Tim Burns, Tom Sterns & Alex Winter

Freddy vs. Jason by Damian Shannon & Mark J. Swift

Freddy vs. Jason by Damian Shannon & Mark J. Swift

From Here To Eternity by Daniel Taradash (based on the novel by James Jones)

From Here To Eternity by Daniel Taradash (based on the novel by James Jones)

The Fugitive by David N. Twohy

Fun With Dick and Jane Part 1 by Mordecai Richler

Fun With Dick and Jane Part 2 by Mordecai Richler

Game 6 by Don DeLillo

Get Carter by David Mckenna

Get Rich or Die Trying (aka Untitled 50 Cent Project) by Terence Winter

The Getaway by Walter Hill

Giant by Fred Guidol & Ivan Moffat (based on the novel by Edna Ferber)

Girl With a Pearl Earring by Olivia Hetreed

Glory Road by David Callaham, Revisions by Wesley Strick

Go To Hell by Michael J. Heagle & Raymond P. Whalen

The Godfather III by Mario Puzo and Francis Ford Coppola

The Gods of Comedy by Bill Steinkellner & Cheri Steinkellner

Good Fellas by Nicholas Pileggi & Martin Scorsese

Good Night, and Good Luck by George Clooney & Grant Heslov

A Goofy Movie by Jymn Magon

The Goonies by Chris Columbus

Gothika by Sebastian Gutierrez

Halloween: Resurrection by Larry Brand & Steve Hood

Hard to Kill by Steven Pressfield & Ronald Shusett & Steven Seagal

Hardware by Richard Stanley, revised by Michael Fallon

Hardware by Richard Stanley, revised by Michael Fallon

Heat by Michael Mann

Heist by David Mamet

Hellraiser: Bloodline by Peter Atkins

Hellraiser: Hellseeker by Carl Dupre

Hellraiser: Hellseeker by Carl Dupre & Tim Day

Hellraiser: Deader by Neal Marshall Stevens & Tim Day

Hellraiser: Deader by Neal Marshall Stevens & Tim Day

The Hills Have Eyes (was Blood Relations The Sun Wars) by Wes Craven

The Hitcher by Eric Red

Holes by Richard Kelly (based upon the novel by Louis Sachar

Hook (part 1) by Jim Hart (story by Jim Hart & Nick Castle based on characters created by Sir James M. Barrie)

Hook (part 2) by Jim Hart (story by Jim Hart & Nick Castle based on characters created by Sir James M. Barrie)

Horror Inc. by Michael J. Heagle & Raymond P. Whalen

Hotel Rwanda by Keir Pearson & Terry George

Hudson Hawk by Steven de Souza, Revisions by Dan Waters, Story by Bruce Willis & Robert Kraft

Human Nature by Charlie Kaufman

The Hundred Year Winter (filmed as The Chronicles of Narnia: The Lion, the Witch and the Wardrobe) by Christopher Markus & Stephen McFeely (revised by Andrew Adamson) based on the book The Lion, The Witch & The Wardrobe by C.S. Lewis)

The Hudsucker Proxy by Joel Coen & Ethan Coen and Sam Raimi

Hustle & Flow by Craig Brewer

I, Robot by Hillary Seitz

In The Heat of the Night by Stirling Silliphant

In The Mouth of Madness by Michael De Luca

Indiana Jones and the Raiders Of The Lost Ark by Lawrence Kasdan

Innerspace by Jeffrey Boam

Inside Man by Russel Gewirtz

Interview with the Vampire by Anne Rice, based on the novel by Anne Rice

Inventing the Abbotts by Ken Hixon

The Island by Caspian Tredwell-Owen

The Island of Dr. Moreau by Richard Stanley & Michael Herr, based on the novel by H. G. Wells

The Island of Dr. Moreau by Richard Stanley & Michael Herr, based on the novel by H. G. Wells

Italian Job by Donna Powers & Wayne Powers

The Jacket by Massy Tadjedin (based on a previous screenplay by Marc Rocco)

Jade by Joe Eszterhas

Jeepers Creepers 2 by Victor Salva

Jimmy and Judy by Randall K. Rubin & Jon Schroder

Karate Kid by Robert Mark Kamen

Katie's Choice by Deborah Amelon

Kids by Harmony Korine

Kids in the Hall: Brain Candy by Norm Hiscock, Bruce McCulloch, Kevi McDonald, Mark McKinney & Scott Thompson

Killing Charlie Kaufman by Rick Cunningham

Kiss, Kiss, Bang, Bang (You'll Never Die In This Town Again) by Shane Black

Kiss of the Spider Woman by Leonard Schrader

Labyrinth by Laura Phillips & Terry Jones

Land of the Dead by George A. Romero

Last Action Hero by Zak Penn and Adam Leff, current draft by Shane Black and David Arnott, doctored by William Goldman

Last Action Hero (first draft) by Zak Penn and Adam Leff

The Last Bachelor by Pablo Fenjves

The Last Boy Scout by Shane Black

The Last Samurai by John Logan, revised by Edward Zwick & Marshall Herskovitz

The Last Samurai by John Logan, revised by Edward Zwick & Marshall Herskovitz

Legally Blonde by Karen McCullah Lutz & Kirsten Smith

Lethal Weapon II by Jeffrey Boam story by Shane Black and Warren Murphy

Lethal Weapon 4 by Channing Gibson, Story by Jonathan Lemkin and Alfred Gough & Miles Millar, Based on characters created by Shane Black

Liar, Liar by Tom Shadyac and Mike Binder

Liberty Street (filmed as Life on Liberty Street) by Deborah Jones

License to Drive by Neil Tolkin

Life on Liberty Street (was Liberty Street) by Deborah Jones

Logan Movie Script

The Life of David Gale by Charles Randolph

The Lion King by Irene Mecchi, Jonathan Roberts

Little Black Book by Melissa Carter

Lost in Translation by Sophia Coppola

Luna by Matt Corman & Chris Ord

Malibu's Most Wanted by Fax Bahr, Adam Small, Jamie Kennedy & Nick Swardson

The Maltese Falcon by John Huston (from the novel by Dashiell Hammett)

Man on Fire by Brian Helgeland, based on the novel by A.J. Quinnell

Man Trouble by Carole Eastman (as Adrien Joyce)

The Man Who Knew Too Much by John Michael Hayes

The Manchurian Candidate by Dean Georgaris (based on the novel by Richard Condon and screenplay by George Axelrod) revised by Daniel Pyne

Mandingo by Norman Wexler

Maria Full of Grace (Maria/Screenplay) by Joshua Marston

Matchstick Men by Nick Griffin & Ted Griffin (Based on the book by Eric Garcia)

The Matrix by Andy & Larry Wachowski

Maverick by William Goldman

Mean Girls by Tina Fey (based on the book Queen Bees and Wannabes by Rosalind Wiseman)

Memphis Belle by Monte Merrick

Miami Vice by Michael Mann (based on Miami Vice created by Anthony Yerkovich)

Midnight Express by Billy Hayes, William Hoffer & Oliver Stone

Mighty Joe Young by Mark Rosenthal & Lawrence Konner

Million Dollar Baby by Paul Haggis (based on the short story by F.X.Toole)

Monster's Ball by Milo Addica & Will Rokos

Mr. And Mrs. Smith by Simon Kinberg

Mr. Holland's Opus by Patrick Sheane Duncan

Munich by Tony Kushner & Eric Roth (based on the book Vengence by George Jonas)

Munich by Tony Kushner & Eric Roth (based on the book Vengence by George Jonas)

Natural Born Killers by Quentin Tarantino

Near Dark by Kathryn Bigelow & Eric Red

New York Minute by Emily Fox (revisions by Mark Steilen)

Newsies by Bob Tzudiker & Noni White, rewrite by David Fallon & Tom Rickman

Nichts als die Wahrheit (After the Truth) by Christopher & Kathleen Riley

Free Movies Scripts Pdf

Nightmare on Elm Street 3: Dream Warriors by Wes Craven & Bruce Wagner

Nightmare on Elm Street 6: Freddy's Dead: The Final Nightmare by Rachel Talalay & Michael De Luca

North By Northwest by Ernest Lehman

Now or Never by John Kamps

Ocean's Eleven by Ted Griffin (based on a screenplay by Harry Brown and Charles Lederer and a story by George Clayton Johnson & Jack Golden Russell)

An Officer and a Gentleman by Douglas Day Stewart

Office Space by Mike Judge

On Air by Rob Thomas

The Omen by David Seltzer

One Eight Seven by Scott Yagemann

Only Angels Have Wings by Jules Furthman

Out of Sight by Scott Frank & Elmore Lenord

Outbreak by Lawrence Dworet & Robert Roy Pool

The Pacifier by Thomas Lennon & Robert Ben Garant

Paradox by Bob Gale

Paths of Glory by Stanley Kubrick & Jim Thompson

The Perfect Neighbor (was The Perfect Stranger) by Richard Dana Smith

The Perfect Stranger (filmed as The Perfect Neighbor) by Richard Dana Smith

A Perfect World by John Lee Hancock

Planet of the Apes part 1 by Rod Serling

Planet of the Apes part 2 by Rod Serling

Planet of the Apes part 3 by Rod Serling

Planet of the Apes by Charles Eastman

Planet of the Apes part 1 by Michael Wilson

Planet of the Apes part 2 by Michael Wilson

Planet of the Men part 1 by Pierre Boulle

Planet of the Men part 2 by Pierre Boulle

Planet of the Apes Revisited part 1 (became Beneath the Planet of the Apes) by Paul Dehn

Planet of the Apes Revisited part 2 (became Beneath the Planet of the Apes) by Paul Dehn

Beneath the Planet of the Apes by Paul Dehn

The Secret of the Planet of the Apes (working title) Escape from the Planet of the Apes) (release title) part 1 by Paul Dehn

The Secret of the Planet of the Apes (working title) Escape from the Planet of the Apes) (release title) part 2 by Paul Dehn

Escape from the Planet of the Apes part 1 by Paul Dehn

Escape from the Planet of the Apes part 2 by Paul Dehn

Conquest of the Planet of the Apes by Paul Dehn

Battle for the Planet of the Apes part 1 by Paul Dehn and John William Corrington and Joyce Hooper Corrington

Battle for the Planet of the Apes part 2 by Paul Dehn and John William Corrington and Joyce Hooper Corrington

Return to the Planet of the Apes part 1 by Adam Rifkin

Return to the Planet of the Apes part 2 by Adam Rifkin

Planetfall by Michael J. Heagle

Poltergeist by Steven Spielberg

The Poseidon Adventure by Stirling Silliphant

The Poseidon Adventure by Stirling Silliphant

Possession by David Henry Hwang (based on the book by A. S. Byatt)

The Postman by Brian Helgeland & Eric Roth, novel by David Brin

The Power of One by Robert Mark Kamen Based on the novel by Bryce Courtenay

Prime Directive (filmed as Transformers) by John Rogers (revisions by Alex Kurtzman and Roberto Orci)

The Private Life of Sherlock Homes by Billy Wilder and I.A.L. Diamond

The Punisher by Jonathan Hensleigh, Revised by Michael Tolkin

The Punisher by Mark Robert Kamen

Queen of the Damned by Scott Abbott and Michael Petroni, Based on the novel by Anne Rice

Quills by Doug Wright

Quiz Show by Paul Attanasio

Rear Window by John Michael Hayes

Red Planet by Chuck Pfarrer & Jonathan Lemkin

Rent by Stephen Chbosky (current revisions by Chris Columbus) (based on the stage musical by Jonathan Larson)

Rent by Stephen Chbosky (current revisions by Chris Columbus) (based on the stage musical by Jonathan Larson)

The Replacements by Vince McKewin (revised by Mark Steven Johnson & Gwen Lurie)

Return to the Planet of the Apes part 1 by Adam Rifkin

Return to the Planet of the Apes part 2 by Adam Rifkin

The Ringer by Ricky Blitt

Robin Hood, The Prince of Thieves by Pen Densham & John Watson

Robocop by Edward Neumeier & Michael Miner

Rock & Rule by Peter Sauder & John Halfpenny

Rough Diamonds (filmed as Wild Things: Diamonds in the Rough) by Andy Hurst & Ross Helford

The Royal Tenenbaums by Wes Anderson & Owen Wilson

The Rules of Attraction by Roger Avery

Saboteur by Alfred Hitchcock, Peter Viertel & Joan Harrison

Save the Last Dance by Duane G. Adler, revisions by Toni-Ann Johnson, revisions by Cheryl Edwards

A Scanner Darkly by Charlie Kaufman adapted from A Scanner Darkly by Philip K. Dick

Scarface by Oliver Stone

The Secret of the Planet of the Apes (working title) Escape from the Planet of the Apes) (release title) part 1 by Paul Dehn

The Secret of the Planet of the Apes (working title) Escape from the Planet of the Apes) (release title) part 2 by Paul Dehn

Secret Window by David Koepp (based on the novella by Stephen King)

Shadow of the Vampire by Steven Katz

Sideways by Alexander Payne & Jim Taylor (based on the novel by Rex Pickett)

Slackers by David H. Steinberg

Slash by Stephen Francis and Gus Silber

Slay the Dreamer by Mark Lane & Donald Freed

Sleepaway Camp III by Fritz Goron

Snatch by Guy Richie

Something Borrowed (filmed as The Wedding Date) by Dana Fox

Something's Gotta Give by Nancy Meyers

Space Cowboys By Ken Kaufman and Howard Klausner

Spanglish by James L. Brooks

Spartan by David Mamet

Speed by Graham Yost

Special by Cinco Paul & Ken Daurio

The Spirit of St. Louis by Billy Wilder & Wendell Mayes

Star Trek 10: Nemesis by John Logan

Stay by David Benioff

Stir of Echos by David Koepp (based on the novel by Richard Matheson

Strangers on a Train by Raymond Chandler & Czenzi Ormonde

Stuart Little 2 by Bruce Joel Rubin revised by Lowell Ganz & Babaloo Mandel

SuperFights by Keith Strandburg

Superman by J.J. Abrams

Suspect Zero by Zak Penn (with revisions by Billy Ray)

Sweet November by Kurt Voelker (based on the screenplay by Herman Raucher) revised by Becky Johnson

Swordfish by Skip Woods

Syriana by Stephen Gaghan (based on the book See No Evil by Robert Baer)

Taking Lives by Jon Bokenkamp (based on the novel by Michael Pye) previous revisions by Nicholas Kazan, H. Seitz, David Ayer

Tarzan's Secret Treasure by Myles Connolly & Paul Gangelin

Thief by Michael Mann

The Thin Red Line by Terrence Malick (based on the novel by James Jones)

The Thing by Bill Lancaster (From the story Who Goes There by Don A. Stuart)

Thir13en Ghosts by Neal Marshall Stevens (based on the screenplay by Robb White) revised by Richard D'Ovidio

Thirteen Ghosts by Neal Marshall Stevens (based on the screenplay by Robb White) revised by Richard D'Ovidio

This Boy's Life by Robert Getchell based on the book by Tobias Wolff

Three Days of the Condor by Lorenzo Semple & David Rayfiel

Three Kings by David O. Russell (story by John Ridley)

Three Men and a Baby by Jim Cruickshank, James Orr, and Coline Serreau

The Three Musketeers by David Loughery

Thunderheart by John Fusco

Ticker by Paul B. Margolis

Timeline by George Nolfi (based on the novel by Michael Crichton)

Timeline by George Nolfi (based on the novel by Michael Crichton)

Tin Cup by John Norville and Ron Shelton

Tin Men by Barry Levinson

Tombstone by Kevin Jarre

Training Day by David Ayer

Transformers (Prime Directive) by John Rogers (revisions by Alex Kurtzman and Roberto Orci)

The Treasure Of Sierra Madre by Robert Rossen from the novel by B. Traven

Tripping Forward by Chris Fogleman and Marcus Nash

Troy by Michael Tabb

Troy by David Benioff

True Crime by Stephen Schiff based on the novel by Andrew Klavan

True Romance by Quentin Tarantino

Twins by William Osborne & William Davies Revisions by Timothy Harris & Hersehel Weingrod and William Goldman

Untitled 50 Cent Project (filmed as Get Rich Or Die Trying) by Terence Winter

Vagrant by Charlie Vargas

Vikings by Michael Traeger

Virtuosity by Eric Bernt

Waking up the Day by Mark Lee

Walk The Line by Gill Dennis & James Mangold

A Walk to Remember by Karen Janszen

Warm Springs by Margaret Nagle

Warriors by Walter Hill (From the novel by Sol Yurick)

The Wedding Crashers by Steve Faber & Bob Fisher

The Wedding Date (was Something Borrowed) by Dana Fox

When Harry Met Sally by Nora Ephron

Wild Things: Diamonds in the Rough (was Rough Diamonds) by Andy Hurst & Ross Helford

Wild, Wild West by S.S. Wilson & Brent Mattock and Jeffery Price & Peter S. Seaman, Story by Jim Thomas and John Thomas

Wish List by C. David Stephens

The Witches of Eastwick by Michael Cristofer (based on the book by John Updike)

X-Men By Ed Solomon & Christopher McQuarrie

X-men 2 by David Hayter (story by Bryan Singer and David Hayter) Current revisions by Michael Dougherty & Dan Harris

X2 by David Hayter (story by Bryan Singer and David Hayter) Current revisions by Michael Dougherty & Dan Harris

You'll Never Die In This Town Again (Kiss, Kiss, Bang, Bang) by Shane Black

Zapper by Jim Strain